The Zoomorphic Imagination in Chinese Art and Culture

The Zoomorphic Imagination in Chinese Art and Culture China has an age old zoomorphic tradition The First Emperor was famously said to have had the heart of a tiger and a wolf The names of foreign tribes were traditionally written with characters that in

  • Title: The Zoomorphic Imagination in Chinese Art and Culture
  • Author: Jerome Silbergeld
  • ISBN: 9780824846763
  • Page: 493
  • Format: Hardcover
  • China has an age old zoomorphic tradition The First Emperor was famously said to have had the heart of a tiger and a wolf The names of foreign tribes were traditionally written with characters that included animal radicals In modern times, the communist government frequently referred to Nationalists as running dogs, and President Xi Jinping, vowing to quell corruptionChina has an age old zoomorphic tradition The First Emperor was famously said to have had the heart of a tiger and a wolf The names of foreign tribes were traditionally written with characters that included animal radicals In modern times, the communist government frequently referred to Nationalists as running dogs, and President Xi Jinping, vowing to quell corruption at all levels, pledged to capture both the tigers and the flies Splendidly illustrated with works ranging from Bronze Age vessels to twentieth century conceptual pieces, this volume is a wide ranging look at zoomorphic and anthropomorphic imagery in Chinese art The contributors, leading scholars in Chinese art history and related fields, consider depictions of animals not as simple, one for one symbolic equivalents they pursue in depth, in complexity, and in multiple dimensions the ways that Chinese have used animals from earliest times to the present day to represent and rhetorically stage complex ideas about the world around them, examining what this means about China, past and present.In each chapter, a specific example or theme based on real or mythic creatures is derived from religious, political, or other sources, providing the detailed and learned examination needed to understand the means by which such imagery was embedded in Chinese cultural life Bronze Age taotie motifs, calendrical animals, zoomorphic modes in Tantric Buddhist art, Song dragons and their painters, animal rebuses, Heaven sent auspicious horses and foreign sent tribute giraffes, the fantastic specimens depicted in the Qing Manual of Sea Oddities, the weirdly indeterminate creatures found in the contemporary art of Huang Yong Ping these and other notable examples reveal Chinese attitudes over time toward the animal realm, explore Chinese psychology and patterns of imagination, and explain some of the critical means and motives of Chinese visual culture.The Zoomorphic Imagination in Chinese Art and Culture will find a ready audience among East Asian art and visual culture specialists and those with an interest in literary or visual rhetoric.Contributors Sarah Allan, Qianshen Bai, Susan Bush, Daniel Greenberg, Carmelita Carma Hinton, Judy Chungwa Ho, Kristina Kleutghen, Kathlyn Liscomb, Jennifer Purtle, Jerome Silbergeld, Henrik Sorensen, and Eugene Y Wang.

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      Published :2019-04-19T10:46:00+00:00

    Jerome Silbergeld

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